CONCLUSION

Taking an exhibition down, and being able to take a dispassionate view of it, is a really important part of the process. I have taken a long look at the exhibition, and really wonder what I was trying to say? 

Bob Stone (MA tutor) once said that my style of work was "worthy" and i didn't understand? 

Maybe now I do.

I impart my thoughts and ideas.

But i tend not to do it in a way that opens me up personally.

Giving facts, information, interest and hopefully enjoyment.

But not giving away your soul. 

Publishing " Origin of Species" opened Darwin's heart a little more than he was comfortable with. "Voyage of Discovery exhibition in 2009" began to open mine, and i recognise now that I closed the door again very quickly after it, and immersed myself in my new house/bolt hole in Scarborough.  

Darwin wrote the worm book, which was uncontentious and which he described as a 'curious little book of small importance'. It feels entirely appropriate that i learnt a really important lesson at the same time as producing an exhibition which was "a curious little exhibition of small importance". 

The exhibition was of ENORMOUS importance to me personally.  The catalogue was time consuming, detailed and repetitive. As was the work. Compulsion but not passion. Waving not Drowning.  

INTERESTING THAT I REMEMBER IT THE WRONG WAY ROUND. 

Maybe to create really relevant work I need to feel like I am drowning in it, not just cheerily waving as I pass by. I am not drowning, but maybe I am waving goodbye for a while. I don't think that Helen Birmingham, mixed media artist will be missed very much. Helen Birmingham, gallery/venue provider, and Helen Birmingham, Contemporary Textile Artist will continue and I think they are valued and valuable.  I think Helen Barter might be making a return visit, writing some poetry too.

Not Waving but Drowning

By Stevie Smith

Nobody heard him, the dead man,

But still he lay moaning:

I was much further out than you thought

And not waving but drowning.

Poor chap, he always loved larking

And now he's dead

It must have been too cold for him his heart gave way,

They said.

Oh, no no no, it was too cold always

(Still the dead one lay moaning)

I was much too far out all my life

And not waving but drowning. 

Brian McCann. 1983    

Not Waving But Drowning, Richard Demarco Gallery, Edinburgh

SUMMARY

The Movement and Action of Worms is a visual interpretaion of Charles Darwin's last pubished book, 

Darwin, C. R. 1881. MOULD & WORMS: The formation of vegetable mould, through the action of worms, with observations on their habits.

The process of creating the exhibition, was as important as the exhibition itself. I wanted to follow a methodical, controlled approach to the work, and it became apparent very quickly that the work would need to be made in sequence and in situ. Unlike the work for 'Voyage of Discovery' exhibition in 2009, my focus was not trying to describe a scientific principal in visual terms.  In this exhibition, my interest was in interpreting Darwin's words, a precis of the book in its entirity, using visual images. 

Process

Firstly, and fairly obviously, I read the book.

I then took each of the section headings from the book.

These became the titles of the 30 pieces of work. 

I then re-read each section, and selected a passage of text, which 'spoke' to me.

The gallery was prepared and all 30 frames were hung in position. Empty.

The selected words were attached temporarily to the frames.

At this point, i discarded the book itself, and focussed soley on my selected passages.

I tried to absorb the passage and its meaning, and then to represent the vision in my head.

It was important to me that the work followed in the same order as the sections of the book itself.

When I curate an exhibition in the gallery it is normal to move the works to suit the space.

In this exhibition however, it was vital that the pieces of work 'worked visually' in sequence.

I started at No 1 and worked my way around to No 30.

I think this gives unity to the whole, and ensures that there is visual cohesion.

It was important to me that viewers were told of the sequence, but were then left to explore.

Some people read a book cover to cover, some dip in and out, and some just glance.

Outcome

Many people made comments like "well i never knew worms were so interesting".

This is basically the same sentiment as Joseph Hooker, the 19th century British botanist's, "I must own I had always looked on worms as amongst the most helpless and unintelligent members of the creation; and am amazed to find that they have a domestic life and public duties!”

I believe that the exhibition works on different levels. 

.  The images themselves stand alone, as valid pieces of abstract art, and need no explanation.

.  The titles of the pieces help to focus the viewer's attention, but are not prescriptive.

.  The passages help to explain 'where the artist was coming from', and lastly,

.  The whole exhibition adds to the viewers knowledge about worms and Darwin, and may encourage more reading about environmental and scientific issues. 

A Successful Exhibition and another Ambition Fulfilled

I am so pleased with the way my exhibition The Movement and Action of Worms was received. Such great comments, and it stimulated interesting conversations. More than that, it brought new people to The Studio Gallery, (some of whom felt like potential future friends which is always good!), and old friends returned again.

The catalogues in a tin were VERY WELL received, and I sold several at the Preview Evening, and more throughout the week. My intention now is to try to move the exhibition on, to another gallery. Watch this space and keep your fingers crossed.